There’s a place where dinosaurs rule at night, where swan-shaped paddleboats lay stranded and overgrown plants wrap their leaves around anything and everything! It goes by the name Spreepark and is one of the coolest abandoned venues in Berlin. So it was no surprise to hear that one of our all-time favourite bands, The XX, had chosen it for their Day + Nightfestival taking place this weekend.
The electro-indie-pop heroes are planning to bring this disused funfair back to life with a line-up that had us booking tickets the minute they were released. This Saturday, The XX and their friends will be strutting their musical stuff for Berlin’s coolest kids. Set to take to the stage are Jessie Ware, Chromatics, Mount Kimbie, Kindness and Mykki Blanco who are we know will fill this out of this world space with a new lease of life.
Here’s what the band the whole of Topshop HQ is obsessed with had to say about their new musical endeavour: “Night + Day is a series of events, curated by us, to start in the summer of 2013. We searched high and low for unique and beautiful locations to stage these shows and picked the artists that we most respect and admire to join us. The events will run from early afternoon, with some of our favourite music and food to take you from day into night.”
With such an amazing aim, it’s no shock that a crowd of around 10 000 kids are expected at the Spreepark this weekend. Just imagine raving in-between a vintage Ferris wheel and some giant dinosaur statues! Sounds like the perfect festival right?
If you can’t make it, there’s no need to be sad! The XXs next stop is a country house in Hertfordshire.
Got a few minutes to procrastinate? Jean Francois Lepage’s fashion photography exhibition is a dream that you could easily loose yourself in for hours. It stunned us Topshop girls and had us thinking about his images for days!
As part of the International Fashion and Photography Festival 2013 for European creatives held in the fabulous French sea-side town of Hyères, Lepage’s retrospective exhibition perfectly entitled Memories from the Future showcases about thirty wonderful photographs full of bold colors and strong graphic elements that distort the beauty of the models in them and make your eyes pop!
Summed up as surrealism meets mystery, the French photographer uses extreme light and standout colors and as we stepped into the stoned arched room where this exhibition took place, we realised that the historical space built in the ‘20s perfectly complemented the motionless frozen atmosphere of Lepage’s work.
At Topshop, we are lovers of extreme fashion and adored his bare photographic composition. From motionless models in a moon like landscape to frozen doll-like faces with pale complexions and bright wigs, we’ve not been able to stop thinking about Lepage’s flawless looking creatures since we laid eyes on them.
Everything is done so carefully in order to create the impression that the subjects of Lepage’s images are both static and breathing and that’s precisely their beauty. You know that the model is posing but you soon forget that! You see, Lepage’s vision is far from glamorous, his style uncanny, almost eerie but it is this, his perception of beauty that makes his work so breathtaking.
If you’ve never come across the work of Lepage within the fashion world (working for brands like Nina Ricci, Comme des Garçons and Dior over a 20 year career), try and head to the Villa of Noailles in this pretty French town before his exhibition ends at the end of May.
There are some bands that hold a special place in our heart and for a few of us here at Topshop HQ, Cold War Kids do just that. The band became an iPod, iTunes and general stereo regular for us when – to the joys of many an indie kid – they launched their debut album Robbers and Cowards in 2007. NME declared them the best new band in America and the rest of the presses heralded their sound as something completely new (which is pretty special in these days of mass music and shared sounds via the ever growing music blogosphere). Our personal penchant for dancing around our bedrooms to Hang Me Up To Dry aside, we’ve been keeping track of Cold War Kids’ movements since their early days. It’s been a bit of a ride for the band – founding member Jonnie Russell left to pursue his own projects and their second album was met with mixed reviews – but we’ve got a feeling 2013 can surely be all about their second coming. The foursome are back with the new album Dear Miss Lonelyhearts and once again embracing their melodious, blues-inspired, indie rock with the same sensitive lyrics and gorgeous vocals from Nathan Willett. This time around there’s just a little more energy, it’s vibrant and varied with Miracle Miles keeping us dancing at our desks and Louder Than Ever sending us back to 2007 with big smiles.
We chatted to the face behind the bass Matt Maust about their latest album, favourite gigs and Nick Cave.
How does this new album differ from your earlier stuff?
Oh, it’s got a great mixture of songs that were kind of “built in the studio”, and then songs like we had on our first record that are very much 4 people playing live in a room, and then a few songs that are kind of a mixture of both.
Did anything specifically inspire this new album?
Nathan read a book called Dear Miss Lonelyhearts, but I haven’t read it yet. I know some of the lyrics were kind of inspired by the book. I think our new guitar player Dann, (who also produced the record) inspired us some. Gaining a new member always makes you rethink your band and style. He brought ideas to the table that were new and refreshing.
How does your creation process begin?
Very organic. For lack of a better word, I think we sometimes “jam” and ideas come that way usually. It’s a healthy mixture of spontaneity, and zeroing in on things with a microscope.
What’s the best gig you’ve ever played?
At La Cigale in Paris. We’ve played a few times there and it’s the best crowd and room that I’ve ever been to.
As the temperature creeps up us Topshop girls go on the hunt for for juicy, un-put-downable books to pore over and be swept away with whilst basking in the sun in our newest bikini. There’s a few that have peaked our interest this year – the much debated Gone Girl by Gillian Flynn, the teenie-loving Hunger Games series– but it’s a very different sort of novel that has had us voraciously turning the pages this spring. Enter Laura Lamont: the country-bumpkin turned glamorous silent film star whose life unfolds amidst fame, fortune and the inevitable upsets on the way. It’s definitely not a fairy tale but it isn’t exactly tragedy either. (Our favourite character Ginger is as about as cheeky and goofy as they come!)
Emma Straub is the creator and pen behind Lamont and has proved herself a dab hand at spot-on, richly detailed storytelling. Carefully spanning decades of Lamont’s life, Straub muses on the complexities of fame through the eyes of someone who doesn’t feel quite worthy. There may be plenty of Fitzgerald style decadent misery here and a hint of quirky The Artist style fun but the novel and story still feels new. Whether you’re a fan of the Golden Age of Film or of really great new writing, we’re guessing you won’t regret picking up a copy.
We spoke to the Brooklyn based author, Emma Straub, about research, her favourite characters and not giving up on writing.
Where did you get the inspiration for Laura Lamont?
Not to sound too terribly morbid, but in the obituaries! I was working on something else at the time, and stumbled across an obit for the 1940s actress Jennifer Jones. It was a novel–it was that clear to me immediately. Dramatic, romantic, epic. I knew I wanted to write a book about a movie star starting right then.
Have you always been interested in Hollywood and it’s golden age?
I have always loved the movies, and was never prejudiced against black and white films in the way some children are. My parents and I once had a Hitchcock festival in our living room. So, yes! But I didn’t really know much about the studio system until I began to write Laura Lamont.
Where did you go to research and what resources did you use?
Why, to Hollywood, of course! I took a few short trips to Los Angeles and went on some studio tours, taking notes furiously, and then my husband and I did a a house-swap (itself a very cinematic idea!) for a whole month. That’s when I did the bulk of my research at the Margaret Herrick Library, which is run by the Academy of Motion Pictures, the body that gives out the Oscars.
Do you ever use real life people as inspiration for characters?
Yes, sometimes, when I truly couldn’t help myself. I was very careful not to read about Jennifer Jones in my research, because I didn’t want my main character to be modelled on a real person, but some of the ancillary characters are, absolutely. It was irresistible! Hollywood was full of very colorful people at the time.
We have a soft spot for the comedy actress Ginger in the book – do you have a favourite character in the book and why?
Oh, I have a soft spot for Ginger, too. Thank you for saying that. I’m also very partial to Irving. What can I say? I’m a bit smooshy about real love.
How long did the book take from start to finish?
I’m pretty quick, once I get rolling–it was about two years from idea to publication. Fast!
What tips would you give to young wannabe-writers?
Don’t give up. I wrote four novels that didn’t get published before this one. Don’t ever give up.
What’s next for Emma Straub?
Two things are happening in quick succession–I’m trying to finish my new novel before this summer, because I’m due to have a baby in August. So, sleepless nights?
If you’re anything like us Topshop girls we spend months of the year yearning for the next season to come around so we can finally buy the pieces we drooled over on all the catwalks. Well we have a treat for you directly from our designer line, Topshop Unique. This week we’re introducing our very first Unique Pre-Fall collection, perfectly timed for those shopping cravings that come inbetween the seasons! This is a grown up girl’s best friend – a slick 21-piece line that we’ve been poring over all day long. From leather panel trousers and silk panel t-shirts to cocktail organza dresses in lemon and vivid pink, this is a collection you won’t forget in a rush.
We spoke with one of the designer’s Holly Wright to talk inspirations, nightwear and the Unique girl.
What were the initial inspirations behind the pre-fall collection?
The collection was designed to be a timeless modern approach to evening wear. Designed within the same aesthetic as the Unique runway collections, it was crucial to stay true to the Unique Girl and explore how she would approach evening wear.
Did you do any specific inspiration or research for the line?
Having explored the ‘Unique Girl’ through the previous and current collections it made sense to pick up where we left off and expand into the Spring Summer design direction, complementing the runway collection with a more extensive move towards night time.
Can you talk us through the process from inspiration to final collection?
Playing on the sheer and opaque details of the main line SS collection, I was keen for the collection to be a tight mix of interchangeable items that would be modern and classic at the same time so that people can invest in pieces that we’re going to be able to be worn for many years to come without the fear of them looking dated. With this in mind I began looking at silhouettes and colour as the foundation to the collection and built up each piece from there.
What’s your favourite piece and what will you be buying?
I think the collection is flexible and adaptable to being worn both day and night, there are pieces that you could dress down and stand out pieces that offer modern, chic alternative to your more traditional evening wear. All the pieces within the collection complement one another so its easy to pull pieces together into outfits. The clean, modern aesthetic of the garments means they’ll be an easy addition to any wardrobe.
Older
